It’s understandable for Clark to highlight governance in a post-apocalyptic world, but she doesn’t bring anything new to the table that warrants 50% of the screen time being devoted to White House disputes. She wasn’t really a major character in the books, but is an equal participant in the show. Take, for instance, its pointless obsession with President Brown and the virtually demolished democracy that fate has put her in charge of. Where Damon Lindelof found ways to make Alan Moore and Dave Gibbons’ classic comic culturally relevant and refreshingly unique, creator Eliza Clark has put together a show that feels like it’s cutting corners. So on the couple of occasions that he is cornered, he declares that he is on the hunt for testosterone, implying that he, too, is trans, and not, as anyone who looks at him might suspect, a cisgender man. Trans men survive, which gives Yorick a cover that he didn’t have in the comics. Updates are made to the story that would probably make JK Rowling bristle. It is decided that Yorick and Agent 355 will go on a quest to find Dr Mann (get it?), the world’s foremost geneticist, who might be able to decipher why he survived. But with thousands clamouring at the gates for answers, he can’t stay there for too long. After spending a couple of episodes trying to survive and remain hidden, he is discovered by the enigmatic Agent 355, who brings him to the White House and reunites him with his mother. Why Yorick (Ben Schnetzer), a slacker named after a court jester, was forsaken in the apocalypse is a mystery.
It’s about her son Yorick, who, by the looks of it, is the world’s last surviving man. For instance, the presidential line of succession in the United States is decimated, leaving the inexperienced senator Jennifer Brown as the de facto commander-in-chief.īut the show isn’t about her, even though actor Diane Lane, who plays President Brown, is top-billed. The trouble is that women occupy such a small fraction of powerful positions that it sends planet Earth spiralling out of order. Y: The Last Man is a show set in a post-apocalyptic world, but you’d be hard-pressed to pin-point exactly what sets it apart from the scores of other series of its kind.Īnd that shouldn’t have happened, because the premise is genuinely intriguing: Without any warning, every human being and most mammals with the Y chromosome drop dead after a mysterious cataclysmic event, essentially leaving women in charge of the world. Even within certain genres, there is a division among audiences. Plagued by production difficulties - both the original creators and the original star were replaced - Y: The Last Man appears to have been so drastically watered down over the years that the final product lacks everything that made the comic book such a classic.
0 kommentar(er)
